Preparation method of solid oil painting pigment

文档序号:1586428 发布日期:2020-02-04 浏览:28次 中文

阅读说明:本技术 一种固体油画颜料的制备方法 (Preparation method of solid oil painting pigment ) 是由 韩禹锋 于 2019-11-04 设计创作,主要内容包括:本发明公开了一种固体油画颜料的制备方法,将氯化铈、氯化钕加入至水中,向其中加钠基膨润土,搅拌均匀,保温处理,真空干燥处理后,得到稀土改性钠基膨润土;将双乙酰酒石酸单双甘油酯、羟基磷灰石研磨处理后,得到稳定剂;将亚麻仁油加热至后,向其中通入臭氧,氧化处理,得到改性亚麻仁油;将无机颜料粉、亚麻仁油、改性亚麻仁油、媒介剂、植物蜡、稀土改性钠基膨润土、稳定剂混合后,将混合物持续保温搅拌处理,得固体油画颜料。本发明制得的固体油画颜料,绿色环保,不会对使用者的健康产生危害,同时具有优异的耐老化性能,在纸张上的结合强度高,耐磨性能优异,不易发生龟裂、褪色的现象。(The invention discloses a preparation method of solid oil painting pigment, which comprises the steps of adding cerium chloride and neodymium chloride into water, adding sodium bentonite into the water, uniformly stirring, carrying out heat preservation treatment, and carrying out vacuum drying treatment to obtain rare earth modified sodium bentonite; grinding diacetyl tartaric acid monoglyceride and diacetyl tartaric acid diglyceride and hydroxyapatite to obtain a stabilizer; heating linseed oil, introducing ozone into the linseed oil, and carrying out oxidation treatment to obtain modified linseed oil; mixing inorganic pigment powder, linseed oil, modified linseed oil, a medium agent, vegetable wax, rare earth modified sodium bentonite and a stabilizer, and continuously keeping the temperature of the mixture and stirring to obtain the solid oil painting pigment. The solid oil painting pigment prepared by the invention is green and environment-friendly, does not harm the health of users, has excellent aging resistance, high bonding strength on paper and excellent wear resistance, and is not easy to crack and fade.)

1. The preparation method of the solid oil painting pigment is characterized by comprising the following steps:

s1, uniformly mixing cerium chloride, neodymium chloride and water, adding an anionic surfactant, uniformly mixing and stirring, adding sodium bentonite, uniformly stirring, heating, performing heat preservation treatment, and performing vacuum drying treatment to obtain rare earth modified sodium bentonite;

s2, grinding diacetyl tartaric acid monoglyceride and hydroxyapatite to obtain a stabilizer;

s3, heating the linseed oil, introducing ozone, and oxidizing to obtain modified linseed oil;

s4, mixing inorganic pigment powder, linseed oil, modified linseed oil, a medium, vegetable wax, rare earth modified sodium bentonite and a stabilizer, heating, preserving heat, stirring, cooling and demolding to obtain the solid oil painting pigment.

2. The method according to claim 1, wherein in step S1, the composition comprises, by weight, 14 to 22 parts of cerium chloride, 5 to 10 parts of neodymium chloride, 650 to 700 parts of water, and 55 to 60 parts of sodium bentonite.

3. The method of claim 1 or 2, wherein in step S1, the anionic surfactant is sodium dodecylbenzenesulfonate or sodium N-oleoyl polyamino acid, and the amount of the anionic surfactant added is 0.5 to 0.8% by mass of water.

4. The method according to claim 1, wherein the heat treatment temperature is 70 to 80 ℃ and the holding time is 3 to 4 hours in step S1.

5. The method according to claim 1, wherein in step S1, the product after the incubation reaction is washed with deionized water until no chloride ion is present before the vacuum drying treatment.

6. The method according to claim 1, wherein in step S2, 33 to 40 parts by weight of diacetyl tartaric acid ester of mono-and diglycerides and 14 to 20 parts by weight of hydroxyapatite are added.

7. The method according to claim 6, wherein the hydroxyapatite has an average particle size of 2 to 10 μm.

8. The method according to claim 1, wherein in step S3, the linseed oil is heated at 90 to 100 ℃, the flow rate of ozone is 20 to 30L/h, and the oxidation treatment time is 15 to 20 min.

9. The method according to claim 1, wherein in step S4, the inorganic pigment powder is 36-44 parts, the linseed oil is 18-22 parts, the modified linseed oil is 7-13 parts, the vehicle is 5-10 parts, the vegetable wax is 4-9 parts, the rare earth modified sodium bentonite is 0.2-0.6 part, and the stabilizer is 0.1-0.3 part by weight.

10. The method according to claim 9, wherein the heating temperature is 88 to 95 ℃ and the stirring time is 15 to 20 min.

Technical Field

The invention belongs to the technical field of oil painting pigments, and particularly relates to a preparation method of a solid oil painting pigment.

Background

Oil painting pigments originate and develop in europe and have recently become important painting materials worldwide. The egg painting in the European painting produced before the 15 th century is a precursor of oil painting pigments. While egg painting is used, many painters continue to find more ideal condiments and oil paints are in the process of production. Since the beginning of the fifteen century, oil paint has been widely used in various forms. The oil painting pigment is also popular among the painters due to the excellent diversity. Through traditional painting techniques of color mixing, glazing, thick coating, light color and the like, the painting technique can provide an artist with excellent picture effect.

The oil painting pigment is a special painting pigment for oil painting, which is prepared by adding oil and glue, stirring and grinding, and is a painting material formed by molding artistic images on cloth, paper, wood boards and other materials which are used for making bases. It is a substance entity formed by stirring and grinding mineral, plant, animal and chemical synthesized toner and blending agent linseed oil or walnut oil. The color painting tool has the characteristic that the color painting tool can be dyed on other materials or attached to a certain material to form a certain color layer, the color layer has certain plasticity, and various shapes and textures which are wanted by a painter can be formed according to the application of the tool. The various hues of oil paint are determined by the hue of the toner, and oil can function to slightly darker and more saturated the hue of the toner.

Disclosure of Invention

The technical problem to be solved by the invention is to provide a preparation method of a solid oil painting pigment aiming at the defects in the prior art, and the prepared pigment can effectively avoid cracking and fading.

The invention adopts the following technical scheme:

a preparation method of a solid oil painting pigment comprises the following steps:

s1, uniformly mixing cerium chloride, neodymium chloride and water, adding an anionic surfactant, uniformly mixing and stirring, adding sodium bentonite, uniformly stirring, heating, performing heat preservation treatment, and performing vacuum drying treatment to obtain rare earth modified sodium bentonite;

s2, grinding diacetyl tartaric acid monoglyceride and hydroxyapatite to obtain a stabilizer;

s3, heating the linseed oil, introducing ozone, and oxidizing to obtain modified linseed oil;

s4, mixing inorganic pigment powder, linseed oil, modified linseed oil, a medium, vegetable wax, rare earth modified sodium bentonite and a stabilizer, heating, preserving heat, stirring, cooling and demolding to obtain the solid oil painting pigment.

Specifically, in step S1, by weight, 14 to 22 parts of cerium chloride, 5 to 10 parts of neodymium chloride, 650 to 700 parts of water, and 55 to 60 parts of sodium bentonite.

Further, in step S1, the anionic surfactant is sodium dodecyl benzene sulfonate or sodium N-oleoyl polyamino acid, and the amount of the added anionic surfactant is 0.5 to 0.8 percent of the mass of water.

Specifically, in step S1, the heating temperature is 70-80 ℃, and the heat preservation time is 3-4 hours.

Specifically, in step S1, before the vacuum drying treatment, the product after the incubation reaction is washed with deionized water until no chloride ion is present.

Specifically, in step S2, 33 to 40 parts by weight of diacetyl tartaric acid ester of mono-and diglycerides, and 14 to 20 parts by weight of hydroxyapatite are added.

Furthermore, the average particle size of the hydroxyapatite is 2-10 um.

Specifically, in the step S3, the heating temperature of the linseed oil is 90-100 ℃, the flow rate of ozone is 20-30L/h, and the oxidation treatment time is 15-20 min.

Specifically, in step S4, by weight, 36 to 44 parts of inorganic pigment powder, 18 to 22 parts of linseed oil, 7 to 13 parts of modified linseed oil, 5 to 10 parts of a mediator, 4 to 9 parts of a vegetable wax, 0.2 to 0.6 part of rare earth modified sodium bentonite, and 0.1 to 0.3 part of a stabilizer.

Further, the heating temperature is 88-95 ℃, and the stirring time is 15-20 min.

Compared with the prior art, the invention has at least the following beneficial effects:

the preparation method of the solid oil painting pigment has the advantages of simple operation, low equipment cost, low manufacturing cost and stable production process, and can realize industrialized continuous production.

Furthermore, the prepared rare earth modified sodium bentonite can effectively improve the compactness of a pigment film and can effectively avoid the phenomena of wrinkling and cracking of the dried pigment;

furthermore, the addition of the anionic surfactant can effectively promote the combination effect of the sodium bentonite and the rare earth ions.

Furthermore, after chloride ions are thoroughly removed, the interference of the chloride ions on the performance of the rare earth modified sodium bentonite is avoided.

Furthermore, the prepared stabilizer can effectively improve the binding power among all components of the pigment and can effectively improve the wear resistance of the pigment.

Furthermore, the average particle size of the hydroxyapatite is 2-10um, and the hydroxyapatite with the particle size can effectively improve the wear resistance of the pigment on paper and can prevent the pigment from cracking for a long time.

Furthermore, after the linseed oil is subjected to oxidation treatment for a short time, the prepared modified linseed oil can effectively improve the yellowing resistance of the oil painting pigment and prolong the service life of the solid oil painting pigment.

Furthermore, the raw materials are subjected to heat preservation and stirring treatment, so that the fusion of all components in the raw materials can be effectively promoted, and the raw materials are uniformly dispersed in a finished product.

In conclusion, the production efficiency is high, the forming effect of the solid oil painting pigment is obvious, the industrial continuous production can be realized, the production process is stable and safe, the prepared solid oil painting pigment is green and environment-friendly, does not harm the health of users, and simultaneously has excellent aging resistance, high bonding strength on paper, excellent wear resistance and difficult cracking and fading. .

The technical solution of the present invention is further described in detail by the following examples.

Detailed Description

The invention relates to a preparation method of a solid oil painting pigment, which comprises the following steps:

s1, adding 14-22 parts by weight of cerium chloride and 5-10 parts by weight of neodymium chloride into 650-700 parts by weight of water, mixing uniformly, continuing to add an anionic surfactant, mixing and stirring uniformly, adding 55-60 parts by weight of sodium bentonite, stirring uniformly, heating to 70-80 ℃, carrying out heat preservation treatment for 3-4 hours, and carrying out vacuum drying treatment to obtain rare earth modified sodium bentonite;

the anionic surfactant is any one of sodium dodecyl benzene sulfonate and N-oleoyl poly-amino acid sodium, and the addition amount of the anionic surfactant is 0.5-0.8 percent of the mass of water.

Before vacuum drying treatment, repeatedly cleaning the product after heat preservation reaction by using deionized water until no chloride ions can be detected in the water after washing.

S2, grinding 33-40 parts of diacetyl tartaric acid monoglyceride and diglyceride and 14-20 parts of hydroxyapatite according to parts by weight to obtain a stabilizer;

the average particle size of the hydroxyapatite is 2-10 um.

S3, heating the linseed oil to 90-100 ℃, introducing ozone into the linseed oil, and carrying out oxidation treatment for 15-20 min to obtain modified linseed oil;

the flow rate of the ozone is 20-30L/h.

S4, mixing 36-44 parts of inorganic pigment powder, 18-22 parts of linseed oil, 7-13 parts of modified linseed oil, 5-10 parts of a medium agent, 4-9 parts of plant wax, 0.2-0.6 part of rare earth modified sodium bentonite and 0.1-0.3 part of a stabilizer in parts by weight, heating to 88-95 ℃, continuously preserving heat and stirring the mixture for 15-20 min, adding the mixture into a mold, cooling and demolding to obtain the solid oil painting pigment.

Wherein the vehicle is poppy oil or safflower oil. The vegetable wax is carnauba wax, candelilla wax, rice bran wax, sugar cane wax, bay wax or castor bean wax.

The opium poppy oil and safflower oil are selected as medium of the pigment, so that the fluidity of the pigment is increased, the brush touch is softened, and the inorganic pigment powder is not easy to change color and turn yellow.

The vegetable wax is selected, so that the solid pigment is natural and environment-friendly, and has fine and smooth hand feeling, good spreadability, color overlapping and excellent color mixing performance.

In order to make the objects, technical solutions and advantages of the embodiments of the present invention clearer, the technical solutions in the embodiments of the present invention are clearly and completely described below, and it is obvious that the described embodiments are a part of the embodiments of the present invention, but not all of the embodiments. The components of embodiments of the present invention generally described and illustrated herein may be arranged and designed in a wide variety of different configurations. Thus, the following detailed description of the embodiments of the present invention is not intended to limit the scope of the invention as claimed, but is merely representative of selected embodiments of the invention. All other embodiments, which can be derived by a person skilled in the art from the embodiments given herein without making any creative effort, shall fall within the protection scope of the present invention.

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